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Tunecraft Psy Trance Toolkit. Tunecraft Electro Dubstation Vol. Tunecraft Growl Arsenal. If you need any of the others, I can probably help permalink. The distinctive sound is derived from groups of digital waveforms, known collectively as wavetables. Movement and tonal complexity are introduced by scanning the table, either manually or by modulators such as LFOs and envelopes.
It ships with a large vault of prepared wavetables and an extensive toolkit to roll and shape your own. Given the number of messy, confusing and inconsistent synth panels I find myself juggling each day, this one is a delight. I doubt anyone will seek the manual with any great urgency. Aided by a crack team of patch designers, Serum ships with approximately factory sounds.
The four possible sound sources consist of two independent wavetable oscillators, a sub-oscillator and a deluxe noise generator. Selecting a single oscillator unprocessed by filter or effects, I began auditioning the factory wavetables. Instead, I set an LFO to automatically update the position, achieving the task by simply dragging the header tile of a chosen LFO to the knob in question. This is one of several methods of assigning modulation and took around a second from thought to execution.
The modulation range is shown by a blue arc, which in this case I extended around the knob in order to scan the whole table. You can see how many destinations each modulator has by numbers on the header tiles.
A long-time fan of wavetable synthesis, I was eager to make an original table. In Serum, a wavetable consists of up to single-cycle waveforms, known as frames. A click of the pencil icon in the graphical window of either oscillator opens the wavetable editor. The drawing of waveforms is one of those arts that seems incredibly exciting — until you try it. Fortunately, there are far superior ways to populate a range of frames. Serum can dynamically interpolate ie. The maximum table size weighs in at around 2MB but most are much smaller.
If you import data from large WAVs, it is truncated when the table is built. The manual features tutorials aimed at creating high-quality wavetables from the output of other soft synths.
However you choose to do it, your creations or favourites from the factory tables can be exported for use externally. Initially the supported formats were 8-bit aimed at certain hardware modulars, eg. Wiard or bit WAV. The effects rack can be dynamically re-ordered and most of its parameters modulated. This powerful magic is stored in the lengthy Warp menu. Whatever Warp mode you choose, each is a great candidate for modulation, from sources located a few pixels away.
Continuing to cherry-pick through the Warp menu, there are various types of sweet, clean-sounding sync and a quantise option that turns everything decidedly nasty and rate-reduced. All these modes force the otherwise pristine oscillators beyond their usual comfort zone. With wide-spread waveform mashing taking place, the best way to grasp the effect of each Warp mode is to switch to the 2D view.
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